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David Hockney has apparently had a dig at other modern artists for not doing all the work on their pieces themselves
You'd think that a famous artist like him would be rather more clued up about the history of art and know that there's a long-standing tradition of artists using apprentices to fill in the boring bits of their work, especially in fresco painting, where the paint has to be applied before the plaster dries, so you really need more than one pair of hands involved.
Of course, if the nominal artist isn't doing any of the work himself, that's another matter.
You'd think that a famous artist like him would be rather more clued up about the history of art and know that there's a long-standing tradition of artists using apprentices to fill in the boring bits of their work, especially in fresco painting, where the paint has to be applied before the plaster dries, so you really need more than one pair of hands involved.
Of course, if the nominal artist isn't doing any of the work himself, that's another matter.
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I think it's a matter of tradition and what customers expect. If they knew about it and expected no different, that was ok then. It's different today.
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Well yes, but how far does it extend?
One of my other LJ friends does a lot of welding work on large metal art pieces. The credit for those pieces goes to the artist who designed them - but often my welding friend will have to do some fairly creative stuff to make the piece work in the way the designer wants it to. Now I'm quite happy that the designer should get a lot of credit for the piece, since they conceived it and it wouldn't have been made without them - but should the welders get credit too, for actually making it work?
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I suspect the tradition has carried on a lot more than people realise, it's just that in the fresco painting days it was something everybody involved knew about so nobody thought twice about it...